This Floating Poo Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.

Looking back, we reflect on the TV offerings of the past year, a selection of shows emerge not for their excellence, but for their spectacular failures. From awkward sequels to confusingly poor documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this love/hate follow-up? Plagued with dreadful writing, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to justify its existence. Briefly, as the final season started, it seemed as if it had finally found its groove. Then arrived an episode centered on Seema’s natural deodorant. No wonder the showrunner announced this would be the last season. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was simply too on-the-nose. Yet, fans undeniably had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this show's issues. The subject of a very rare no-star review, it was hard to know where to start enumerating the problems. The hilariously leaden dialogue? The mind-numbing veneration of affluence and materialism? The almost wilful parade of cliches? Acting so poor they felt almost spiteful? Suffice it to say “all of the above” and forget about this series again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this three-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while failing to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to endure proximity with this charming but flippant narcissist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were many other problems. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various London rogues which seemed a bit basic.

With Love, Meghan

Given the degree to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s temptingly tempting to admire the Duchess of Sussex’s televised ventures into quaint homemaking as intentional statements. But then you watch them and are compelled to admit that actually, they may have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with delusions of grandeur; a parade of sleeping dogs, humming beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All supported by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about both Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for some reason, this three-part series opted not to explore them. Rather, the viewing was like reading a marketing catalogue. She clearly has every right to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any helps with this cagey non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a production that was straining desperately to emulate something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The expectation was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be treated with care. Rather, the series laboured awkwardly to find the right voice, lurching from strangely breezy, somewhat mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about secret services targeting – and killing off – intellectuals honestly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for sexual exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her actual psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who showed up to haul her son away from the queue. What we got was horrific shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

David Ayala
David Ayala

Elena Vargas es una periodista independiente con más de una década de experiencia en reportajes internacionales y análisis político.